Reviews

Oliver Hermanus’s film hits all the right notes, but none is struck to perfection. Both Mescal’s and O’Connor’s performances are really solid, but the truth is that their love story lacks emotional depth.

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This movie is basically a sequence of paintings in which image composition and the quiet moments in between action take centre stage.

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The story of Fatima is one that has appeared many times on the big screen. The struggles of accepting one’s sexuality, whether due to internal doubts or societal misconceptions, are familiar territory, and the film’s structure follows a similarly well-worn path.

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