All movies are in English or have English subtitles.
The movie thrives once we get past its very Lynchian start and immerses itself in its extremely sexual tone, while showing barely any explicit sex. Nonetheless, it might have been even better if it had put slightly more emphasis on the “quantification of the intangibles” discourse presented through the dramatic and unsettling events that the motel’s inhabitants are experiencing after misfortune has hit their lives.
The cinema from the 90’s is still probably the best period to capture stylistically the rhythm, colourfulness, and decadence of the 70’s glam scene. Although not being fully able to grab you emotionally, its great costumes and sets alongside really good acting makes this film quite enjoyable.
Getting better as it progresses but at the same time climaxing some time before reaching the end. This Baumbach film analyses in a quite relatable manner the instability in savings, addresses and friendships which young adults have to go through during the early stages of their emancipation.
Weak on many levels, the slightly original spin on how characters deal with haunted houses and the good work in making the experience fairly unsettling save this film from being completely irrelevant.
Perfectly jumping from uncomfortably funny, to frighteningly threatening, to terribly sad. The first movie by Mike Nichols is immaculate in every aspect. Its direction, writing, photography, editing, score, and acting are undisputable making it a terrific adaptation of Edward Albee’s 1962 play of the same name.
