Reviews

Considering the existence of recent films like Midsommar (2019) and The Menu (2022), this movie feels formulaic and unoriginal, falling short of its predecessors in several ways. Visually, it lacks the striking appeal of Midsommar, its exploration of the cult of personality is less profound than The Menu, and the tension it builds is weaker than in both.

Even the musical aspects fail to engage or leave a lasting impression. This is an unfortunate shortcoming, given that this should be the film’s strongest element, considering the central figure is a renowned pop star (played by a rather uninspired John Malkovich).

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This South Korean horror-comedy benefits from great characters and outstanding performances from its entire cast.

Its first two acts are fantastic, completely subverting expectations for a typical possession film. The second act deserves special mention, as the movie shifts into a hilarious and chaotic slapstick. The final act, in which our heroes must battle the incarnation of the devil, feels more conventional but remains enjoyable.

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Short, direct, and entertaining. While it embraces familiar horror-comedy tropes (such as the confined setting, the growing, vicious, “blobby” monster, the love subplot, and the classic “gear-up for the mission” montage) it still manages to deliver solid laughs and some impressively gory effects.

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