Oliver Hermanus’s film hits all the right notes, but none is struck to perfection. Both Mescal’s and O’Connor’s performances are really solid, but the truth is that their love story lacks emotional depth.
Oliver Hermanus’s film hits all the right notes, but none is struck to perfection. Both Mescal’s and O’Connor’s performances are really solid, but the truth is that their love story lacks emotional depth.
This movie is basically a sequence of paintings in which image composition and the quiet moments in between action take centre stage.
The story of Fatima is one that has appeared many times on the big screen. The struggles of accepting one’s sexuality, whether due to internal doubts or societal misconceptions, are familiar territory, and the film’s structure follows a similarly well-worn path.
This biopic about the first President of the Philippines under the Commonwealth suffers greatly from its incomprehensible humorous undertone, with cheap comedic quips present during two-thirds of the film.
An old and tired Jackie Chan wanders sluggishly throughout this movie, as his age clearly shows in his few action sequences, where fast cutting and armed showdowns try to play the trick to cover the obvious lack of physicality.
