The film is basically a sequence of very carefully composed still shots (only once does the camera move).
This is coupled with a fantastic tale of morality vs. the “greater good” sustained by a very suitable sober acting.
The film is basically a sequence of very carefully composed still shots (only once does the camera move).
This is coupled with a fantastic tale of morality vs. the “greater good” sustained by a very suitable sober acting.
Live-action shoujo grounded too strongly in light-hearted comedy, with a bit of unamusing horror.
Its bland story is balanced by “animesque” acting and enticing visuals (special mention to the flashbacks).
Standard TV movie level film when it comes to its plot, which includes an obvious twist if you pay attention.
It overcomes this categorization thanks to good overall editing and very solid acting.
Great compositions, amazing obscure photography and spot-on sound design, Hadžihalilović crafts a beautiful film.
But, equally, she seems lost story-wise. Mystery to surrealism, no clear conception is perceived.
Wright leaves Raimi to embrace Argento.
Tremendous display of visual prowess with cool soundtrack and solid acting.
Sadly, some events are foreseeable but its good resolution makes up for it.
