The film’s captivating quality lies in its unconventional perspective on the Olympic experience, not from the usual vantage point of the athletes, but rather through the eyes of the audience, and more specifically, one woman. This shift in focus, combined with the complexity of Blandine’s character (who leaves us wondering whether she is shy, socially awkward, or simply enamoured with her own solitude), gives the film its emotional depth.

That said, considering the film was shot amidst the Parisian Olympic atmosphere, it occasionally feels as though the potential of such a unique setting is underutilised. The inclusion of archival footage, for instance, is handled too simplistically, often shown via smartphones, which results in underwhelming visuals where a more experimental and distinctive editing approach could have elevated the material.

This shortcoming is accompanied by the disappointing treatment of a crucial and highly relevant topic: the contradictions inherent in hosting an event of such magnitude, and the negative impact it can have on local citizens and communities. The film addresses this in a rather superficial and frivolous manner. Frankly, presenting it so lightly does the subject a disservice. It would have been better left out entirely than handled with so little care, as it deserves far more thoughtful attention.