Reviews

Hidden Face (2024) – Capsule Review

A pseudo-erotic thriller with an extremely rudimentary and predictable storyline (even if you weren’t aware that it’s a remake, as I initially wasn’t) paired with atrocious acting. One of the few redeeming qualities is its score, which effectively sets up a suspenseful mood and blends well with the classical pieces incorporated throughout.

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Dead by Dawn (2025) – Capsule Review

This Polish film thrives more on its experimental, artsy approach than on its horror elements, which ultimately fail to be genuinely frightening. While the killer’s costume is intriguing and some of the kills are enjoyably gory, the film never truly shocks or excites.

Its overly simplistic spiritual and philosophical themes, along with a weak overall plot and bland characters, make it difficult to feel emotionally invested in what is happening or in who it is happening to.

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Commission (2025) – Capsule Review

This psychological thriller, centred on the struggles of a comic book artist (or more accurately, an aspiring one) excels in its striking comic artwork, which enhances the film’s visual appeal. This is reinforced by a well-presented exploration of the desire for artistic recognition, complemented by well-crafted relationships and conflicts among the characters, all revolving around the protagonist.

However, a jarring structural shift in the second act does more harm than good, throwing off the pacing and weakening the investigation into key events. As a result, the film’s resolution feels somewhat underwhelming.

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No Dejes a los Niños Solos (2025) – Capsule Review

Weirdly enough, this Mexican horror film works quite well, not because of its paranormal elements, which do feature some impressive effects, particularly toward the end, or its disappointingly unthreatening rabid dog.

Instead, the film’s true horror lies in its insufferable pair of kids, their incompetent mother, and the downright hateful array of secondary characters.

A fun disclaimer appears at the end of the credits, where Emilio Portes amusingly notes that people in real life are even more awful than those portrayed in the movie.

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Gui cai zhi dao (2024) – Capsule Review

Excellent comedy with a surprising emotional depth. Its captivating spiritual world is highly entertaining and enriched by an endearing group of ghosts (though some could have been more fleshed out as characters).

Its only downside is that the threat our main character is facing, represented by a rival group of ghosts and her own mortality (yes, mortality, even as a ghost), could have been explored more deeply to heighten the stakes.

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