Clearly uneven macaroni combat with some noteworthy elements such as its locations, score and, to some extent, photography but also some ridiculous ones such as its acting and writing.

Correct love story between two centennial vampires in current times suffering from a lack of focus for what concerns the tone of the film, jumping all over the place between existentialist drama, to romance, to comedy, etc. This ambiguity in genre and overall message from the film refrains it from being better than just ok.

Orson Welles produces and leads this good noir, alongside his then wife Rita Hayworth, which has garnered classic status although being far from great.

If a movie could embody the spirit of free jazz that would be it. Nicolas Roeg crafts a time-mosaic type of troublesome love story between two characters that from different backgrounds do not exactly now or understand what they want from one another in their relationship.

Totally absurd but nonetheless curious feature film, the first to tackle a subject matter that in years to come would become one of the most recurrent sub-genres in horror movies: zombies.