Latest Reviews

Upon Entry (2022) – Film Review

The fantastic mid-section and incredible performances from its main acting duo, comprised of Alberto Ammann and Bruna Cusí, are what make this film worth watching in any capacity. Otherwise, the suspense is prematurely blown out and its presentation is too standard.

Read More »

Phantom Lady (1944) – Film Review

This film noir from one of the masters of the genre is nothing more than ok. Although it has really solid acting from all of its cast and some very high points concerning its visual presentation, the truth is that its weak story full of plot holes makes the overall movie not that interesting.

Read More »

Hachijikan no Kyôfu (1957) – Film Review

In-between Buñuel and Clouzot, Suzuki’s film is a nicely paced and carefully crafted depiction of the post-WWII society in Japan via its wide representation of distinct characters, solidly performed, in a well-structured exciting journey.

Read More »

Los Golfos (1960) – Film Review

Solid feature debut from Spanish legendary filmmaker Carlos Saura. Although not completely polished, mainly due to its writing, the realistic and naturalistic feel that would characterise this filmmaker is already appropriately present via its great locations and the way they are captured.

Read More »

Ferrari (2023) – Capsule Review

While there is some good work in technical departments like editing, sound, and photography (the main highlight of the film being a great collection of close-ups), it’s not excellent by any stretch of the imagination. The truth is that Ferrari falls flat due to an incredibly uninteresting family drama plot and weak performances, with a lack of chemistry between actors (especially between Adam Driver and Penélope Cruz).

Read More »