Anchored in its excellent acting, where Michael Stuhlbarg deserves special mention for his turn as Fredrik (Julia Roberts’ Alma’s husband), this is a genuinely engaging and gripping take on sexual abuse within academia.
This weird and quirky movie by Amalia Ulman, who also plays one of the main characters in Elena, not only feels fresh and slightly innovative but is, above anything else, an enjoyable watch.
This documentary is quite effective and engaging thanks to its very interesting subject matter and a myriad of touching personal cases, which provide us with a wide range of nuances to a worrying situation while contrasting it to the other side with a poignant and accountable perspective.
This psychedelic-erotic thriller starts derailing pretty early on into its runtime, reaching the unavoidable trainwreck by its end (or maybe even before that).
This still and quiet movie takes us back early on the COVID-19 outbreak in a small mining and industrial town in Bulgaria, where Iva, a textile factory worker fantastically portrayed by Gergana Pletnyova, is publicly blamed for the spread of the virus.
