Emma Seligman’s feature debut is an OK film with various highs-and-lows in its plot, presentation, and characters but, all in all, it still serves as a curious and fairly entertaining film.
If a movie could embody the spirit of free jazz that would be it. Nicolas Roeg crafts a time-mosaic type of troublesome love story between two characters that from different backgrounds do not exactly now or understand what they want from one another in their relationship.
Totally absurd but nonetheless curious feature film, the first to tackle a subject matter that in years to come would become one of the most recurrent sub-genres in horror movies: zombies.
What if Mad Max was the bad guy?
Rutger Hauer excels in his portrayal of this mysterious, ruthless and sadistic psycho-killing machine that will truly scare you to death, bringing to the extreme the usual stereotype of “do not pick-up any hitch-hikers”.
Independent film from the 50’s which, although seemingly being another standard noirish story and actually being so plot wise, truly succeeds in delivering excitement unto the watcher.
