Excellent comedy with a surprising emotional depth. Its captivating spiritual world is highly entertaining and enriched by an endearing group of ghosts (though some could have been more fleshed out as characters).

Its only downside is that the threat our main character is facing, represented by a rival group of ghosts and her own mortality (yes, mortality, even as a ghost), could have been explored more deeply to heighten the stakes.

This low-budget post-apocalyptic film thrives on the enjoyable dynamic between its two leads, reminiscent of Steve Martin and John Candy in Planes, Trains & Automobiles (1987). However, its true highlight is how it transforms fart humour from mere comic relief into a source of genuine concern and drama as the story progresses and we grow attached to the characters.

Nonetheless, its brevity and predictable twist undermine the film’s overall tension, leading to a rather standard conclusion. It makes you wonder whether a more episodic structure (where our protagonists face different challenges along the way) might have been more engaging.

Its unpolished animation is well connected to its raw themes of humanity and existence. Unfortunately, the film as a whole does not live up to the high standards set in its opening sequences with both of the central characters.

The extremely crude and punchy beginning gradually loses its impact, giving way to an underdeveloped and overly simplified exploration of the suffering of the main characters and their relationships with those that surround them.