The injection of clearly anachronistic elements, such as the style of dress, the house, the car, and the school, creates a very striking atmosphere, as if we were watching a late‑50s or early‑60s horror film, both tonally and visually, but set in the present day.

While it is true that the film does not gain much momentum until its second half, when we finally learn about the danger and origin behind the “being”, once it gets there, the action becomes quite gripping and exciting.

A strange little film that lacks focus and misses the mark in the areas where it tries to move the audience.