The movie thrives once we get past its very Lynchian start and immerses itself in its extremely sexual tone, while showing barely any explicit sex. Nonetheless, it might have been even better if it had put slightly more emphasis on the “quantification of the intangibles” discourse presented through the dramatic and unsettling events that the motel’s inhabitants are experiencing after misfortune has hit their lives.
Except for Mary (portrayed excellently by Da’Vine Joy Randolph), it’s challenging to appreciate the other rather despicable characters. Although they are presented as flawed but endearing, they come across as unlikable or ‘assholish’. Having unlikable characters isn’t an issue, but it becomes problematic when it’s clear that this wasn’t the writer’s intention.
The beautiful Alpine locations and sets are essentially the only redeeming aspects of this otherwise overly convoluted movie.
Although it overuses some gags to the point of repetition, this unbelievably cartoonish silent comedy still provides several good laughs.
The mix of Python-esque animation, simplified costumes, funny action, and over-the-top acting come together to create an unconventional and unusual cocktail that is really enjoyable.
The film has several visually stunning highpoints, accompanied by a tremendous bluesy soundtrack and score by the late great Robbie Robertson.
