A part from Carla Quílez’s amazing performance, the true highlight of the movie is the naturalism of the conversations and dialogues.

Nevertheless, on the other end of Pilar Palomero’s choice of using non-professional actors, and real-life teenage mothers that give this verisimilitude, we find the more fiction part of the plot, which although it understandably tries to convey the swing moods of the young Carla, it makes the story in itself a bit to chaotic.

Dorota Pomykała does a tremendous mammoth work in the lead role. Her interpretation as the greatly depressed Mira is astonishing.

But precisely is this depression that it feels like it could have been the sole motive without need of further explanation. The financial reasoning, although coherent, feels unnecessary and overly prominent.

The film perfectly presents a multiplicity of themes and genres such as: family drama, romance, crime, social drama, and even sport).

The fantastic chemistry between the two lead actors playing the brothers and the thrilling rhythm of the movie all throughout glues it all splendidly together.